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An Annotated Bibliography Frank W. Burt, compiler World Architecture Index: A Guide to Illustrations Edward H. Teague, compiler Index to Italian Architecture: Teague, compiler Ten Precisionist Artists: Scott Harnsberger, compiler David L.
Henderson, technical editor American Graphic Design: A Sourcebook Russell T. Clement American House Designs: K74 [TR] No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher.
Library of Congress Catalog Card Number: In the early years they served as photographic assistants in their husbands' studios. Upon a husband's death, the wife often assumed control of the business as a way of supporting herself.
Since equipment was heavy and awkward to transport, many of the women stayed in the studio. They would often specialize in portraiture of women and children, allowable subjects for women to pursue.
By the s as innovations by George Eastman and Kodak made the camera easier to handle, photography became accessible to everyone. The marketing strategy for the Kodak Brownie reached a new audience of women, giving them a lightweight, inexpensive camera on which to record their children and their surroundings.
This respectable and genteel hobby allowed women to photograph scenes around the home, providing us with documentation of domestic life in the late s.
At around the same time, women such as Gertrude Kasebier and Adelaide Hanscom Leeson, members of the Photo-secessionist Movement, sought the promotion of photography as a true art form. In both ways, women have made significant contributions to photographic history.
The early advances and interest in photography also opened up areas for professionals photographers: Frances Benjamin Johnston photographed numerous historic homes in North Carolina and made her classic studies of the education of African-American children at the Hampton Institute; Gertrude Kasebier was known for her portraiture; Myra Albert Wiggins professionally photographed life in the Northwest, and Jesse Tarbox Beals was considered one of the first women news photographers for taking photographs of the World's Fair.
For an extensive treatment of photographers of the 19th-century consult C. Jane Gover's The Positive Image: Women Photographers in Turn of the Century America see entry Throughout the s there was tremendous economic and social upheaval in American life.
The farm families of the Dust Bowl found themselves without a home, without an income, and on the road West to a new life.
The lives of migrant workers and tenant farmers, the working poor, and the city dwellers became the subject of documentary photographers.
Publications such as Life magazine gave photographers an important vehicle to show America the new industrial and construction revolution and chronicle the life of people in far-flung corners of the world and the United States.
American women covered the war in Europe as photojournalists. Their images are some of the most haunting. They documented the children of the war, the concentration camps, and the lives of soldiers and civilians. Throughout the decades many sought to document the pulse of New York City.
Helen Levitt saw the life of the City in the chalk drawings on the street. Berenice Abbott sought to capture the architecture of New York City before the skyscrapers changed the skyline forever, and Ruth Orkin captured the changing tempo of the City from her apartment window.
Some of the images teach, some show us beauty, and some make us uncomfortable. The work of Diane Arbus can be unsettling, as can the nude images of Sally Mann's children. Images of the poor and the rich, the famous and the infamous, are all recorded in a woman's camera with a woman's eye.
Feminist agendas, government assignments, agendas of compassion or curiosity, documentation of events for history, or search for beauty-American women photographers have covered it all. For a recent overview of women photographers, consult Naomi Rosenblum's A History of Women Photographers see entry This bibliography serves two purposes.
The first is to have, in one volume, a substantial body of work on and by American women photographers. The second is to provide a listing of these artists. Some are pioneers in the history of photography, but many are not well known.Oct 7, around the Caribbean.
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